the sourcerer: Keepsake #7.

Sunday, September 8, 2013

Keepsake #7.

During my recent move, I came across my grandmother's

autograph album, circa 1922.

Still wrapped in a yellowing, brittle piece of tissue paper.

Considered the "arty" one in the family, I have ended up with these fantastic bits of history.

The foxed pages are filled with sweet, old-fashioned messages and drawings and paintings by her friends...

Something about the drawing below caught our fancy - my sister and I copied it again and again.

This one we found hi-la-rious!

(behind the flap: now turn back again)

And, of course, the fine India Ink drawings of my grandfather. I still have his old dip pens and nibs, though I missed meeting him. It is one of my life's biggest regrets.

A million little things bind us together.

2 comments:

Marie said...: Ag... priceless. And beautiful.

I seem to see you there, in her smile. Do I imagine it?

And with a sob in my heart I wondered, Where is my autograph album? To which I had not given a thought since I was very little girl. That folded over page nearly did me in. We did that, too. No doubt coached by the habits handed down by our Oumas.; September 10, 2013 at 5:42 AM
the sourcerer said...: Oh Marie - I'd like to think so.

I had one too, also lost along the way.

Been meaning to say: I wish I could bring my strong men and come and help you move...
STERKTE!; September 10, 2013 at 12:46 PM

Post a Comment

You could tend a garden at night, only at night, pouring dark water onto leaves, and into the earth, like pouring midnight onto midnight. You could hold your soil-stained hands up to the moon. The stars would gleam on the bottom of the shovel. It would smell the same as a daytime garden - it would smell green, violet, red, white. But come back, in daylight. Come back, to see the colours without closing your eyes.
- Sean Michaels. Accompaniment to the song "Immune" by LOW. Said the Gramophone

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don't bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: "It's not where you take things from - it's where you take them to."
Jim Jarmusch (1953- )

You got very hungry when you did not eat enough in Paris because all the bakery shops had such good things in the windows and people ate outside at tables on the sidewalk so that you saw and smelled the food. When you had given up journalism and were writing nothing that anyone in America would buy, explaining at home that you were lunching out with someone, the best place to go was the Luxembourg gardens where you smelled and saw nothing to eat all the way from the Place de l'Observatoire to the rue de Vaugirard. There you could always go into the Luxembourg museum and all the paintings were sharpened and clearer and more beautiful if you were belly-empty, hollow-hungry. I learned to understand Cézanne much better and to see truly how he made landscapes when I was hungry. I used to wonder if he were hungry too when he painted; but I thought possibly it was only that he had forgotten to eat. It was one of those unsound but illuminating thoughts you have when you have been sleepless or hungry. Later I thought that Cézanne was probably hungry in a different way.
Ernest Hemingway (1899-1961) - from A Moveable Feast.