the sourcerer: The Rush Job.

Wednesday, September 15, 2010

The Rush Job.

One and a half day's prep. No recce notes. Flying around gathering brandy snifters, sparklers and poker chips. Set builders under duress. A couple of sleepless nights.

This makes sense to me: you want an end product in ultra slow motion, with plenty of detail. So you need more information. But 2000 frames per second? I can barely bend my brain around that. For everyday film the frame rate is 24. The Photosonics camera is a noisy one... and goes through film stock like the very hungry caterpillar.

Monster spot lights called Super Troupers. Smoke and mirrors, broken glass. Grips eating boudoir biscuits. Our leading lady: the magnificent Palesa. She has extraordinary grace and always a ready smile. What a star.

The workday started at 4 in the morning and ended at midnight. Another whole day in overtime. Everyone was talking about $$$. But all I could think of was ZZZz.

2 comments:

anneke B said...: hahahaha. very clever lily.; September 15, 2010 at 1:55 PM
the sourcerer said...: Hello Dubai!
X; September 15, 2010 at 6:28 PM

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You could tend a garden at night, only at night, pouring dark water onto leaves, and into the earth, like pouring midnight onto midnight. You could hold your soil-stained hands up to the moon. The stars would gleam on the bottom of the shovel. It would smell the same as a daytime garden - it would smell green, violet, red, white. But come back, in daylight. Come back, to see the colours without closing your eyes.
- Sean Michaels. Accompaniment to the song "Immune" by LOW. Said the Gramophone

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don't bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: "It's not where you take things from - it's where you take them to."
Jim Jarmusch (1953- )

You got very hungry when you did not eat enough in Paris because all the bakery shops had such good things in the windows and people ate outside at tables on the sidewalk so that you saw and smelled the food. When you had given up journalism and were writing nothing that anyone in America would buy, explaining at home that you were lunching out with someone, the best place to go was the Luxembourg gardens where you smelled and saw nothing to eat all the way from the Place de l'Observatoire to the rue de Vaugirard. There you could always go into the Luxembourg museum and all the paintings were sharpened and clearer and more beautiful if you were belly-empty, hollow-hungry. I learned to understand Cézanne much better and to see truly how he made landscapes when I was hungry. I used to wonder if he were hungry too when he painted; but I thought possibly it was only that he had forgotten to eat. It was one of those unsound but illuminating thoughts you have when you have been sleepless or hungry. Later I thought that Cézanne was probably hungry in a different way.
Ernest Hemingway (1899-1961) - from A Moveable Feast.